FernhillPottery

A white porcelain moon jar, round and slightly uneven, rising in front of the word Imperfect

It starts with the hand

Every pot in this exhibition began as a lump of clay on one wheel, in a converted garden shed.

Wedged, centred, then pulled up slowly. The throwing rings stay where the fingers left them.

A batch of about forty pieces takes four weeks. Most of that time is waiting.

This season’s pots

The current batch

Nine pieces. Each one handmade, so none of them match. Every size is measured after firing, so the bowl you reserve is the bowl you get.

Drawn first, then thrown

Drawn, then thrown

Pencil and ink, before any clay is wedged. A full shoulder, a short neck, a foot it can stand on.

On the wheel the drawing becomes a measurement. The throwing rings stay where the fingers left them.

Then the kiln takes about 12%. Every size in this exhibition is measured after firing.

Sheet 14 · the moon jar, drawn at full size

Then, the fire

Fire

20°C

The kiln, coldGlaze goes on as a dull powder. It only finds its colour in the fire.

OatmealRaw · grey-white powderFired · cream, iron speckle
TenmokuRaw · mud brownFired · black, rust edges
AshRaw · pale greyFired · moss green, runs

One batch, start to finish
About forty pieces · four weeks

Week one
Wedge, throw, trimDays 1 to 5. Trimmed at leather-hard, upside down on the wheel.
Week two
Dry, then bisqueCone 06, about 1,000°C. Hard, porous, ready for glaze.
Week three
GlazeDipped or brushed, feet waxed bare. Tested on tiles first.
Week four
Fire, then waitCone 10 reduction, about 1,300°C, twelve hours. Two days to cool.
A black tea bowl with a soft, uneven rim, lit from the left; a line of gold traces a crack down its side

If it ever breaks

Broken? Send it back.

If a piece from the studio breaks, it comes home to be joined with lacquer and finished in gold. The crack stays visible. It becomes part of the pot.

Seen from above, a potter centres clay on the wheel beside a bucket of slip, a sponge and a wooden rib

Who makes them

“A cup should feel right in the hand before it looks right.”
Hana Ellison, potter

Made by one pair of hands

I trained in a community studio, then spent six years making tableware for cafés.

Fernhill is a converted garden shed. There is one wheel, one gas kiln and an oak drying shelf, and every pot is made, glazed and fired by me.

I don't sand away the drips or hide the iron speckles. They are the marks the fire leaves, and they are why no two cups match.

1
Wheel
1
Gas kiln
40
Pieces a batch
1st
Saturday, open studio

Bring one home

Private viewing, by appointment

The studio opens on the first Saturday of each month. Commissions open twice a year: tell Hana what you'd like, and you'll get sketches, glaze tests and a price back.

Minimum
4 pieces
Deposit
30%
Lead time
8 to 12 weeks
Next opening
January 2027

To Hana Ellison, FernhillCommission

This writes your request out as an email to send. Requests sent now are read when the next opening begins. Nothing is charged.

FH-00

Reserve

Send this to hello@fernhill.com. There's no online checkout; reservations are made by email and held for seven days.

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